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Ria Soemardjo is a Melbourne based musician with a passion for collaborating with artists across diverse range of genres and artforms.
Her distinct, haunting vocal style reflects her Australian/Indonesian cultural heritage and she draws on her fascination for Indonesian musical traditions in her song writing and collaborative projects. Ria is also a highly skilled teacher and workshop facilitator, who loves to share her fascination for voice and rhythm through her workshops and classes |
rhythm |
resonance |
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Connecting with our innate sense of rhythm....
I offer workshops in the TaKeTiNa Rhythm process, as developed by world renouned percussionist and rhythm educator - Reinhardt Flatischler. |
Voice/Intention/Breath/Expression...
Private sessions for people seeking to explore their vocal potential. I draw on my intensive training as a teacher of the Alexander Technique - used world wide as an approach to refining our kinaesthetic intelligence as we move/sound/ think. |
NEWS
Hades Fading - residency at Nuart Sculpyure Park, Bandung, West Java. Just returned from Indonesia, working as musical director working with Sandra Long (director/writer) and Maintheater (Bandung) to present 'Hades Memudar". Looking forward to sharing this stunning bilingual work in Melbourne in 2020 for Asiatopa Festival.
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In February, I spent a week in residence at Bundanon Trust with 'Smoke' project - a wonderful team of creative collaborators including Jade Dewi Tyas Tunggal, Kirk Page and Anna Leibzeit, exploring themes around ceremonial use of smoke and much more.......
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Performing with Melbourne Community Gamelan and their visiting teacher - the multi-talented Danis Sugiyanto. Wayang Kulit (shadow puppet theatre) is one of my favourite events - incorporating live gamelan, beautiful puppets, improvised comedy, epic stories. Here is one of the highlights for me, Danis is accompanying me singing one a very popular solo Javanese song, on violin, in his own unique style...
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Recent/Current Projects
All Ria’s work integrates, in quite an exquisite way, an aesthetic coming directly from an Asian tradition (with which she has cultural links) and her Australian context. This kind of work enriches the culturally diverse landscape in Australia and opens new possibilities. It is breathtakingly beautiful, and deserves to be fostered in order to continue and grow....Ria is an artist of great skill and humility, who is quite unique in her ideas, talents and dedication to her work. (Bagryana Popov 2002)
